I think the biggest problem, and this is something Hollywood seems to have these days, is that they over dwell on today's problems in historical times, to the point where the most terrifying problems of those times get nearly overlooked. It's hard to learn from history if we continually rewrite it.
早期电影有很多虚幻与现实次元破壁导致的喜剧场景,比如埃德温·鲍特的短片《驯服维修工资人员2》(Uncle Josh at the Moving Picture Show,1902)巴斯特·基顿的《驯服维修工资人员2》(1924)。这种剧情也对早期电影的观众起着规训作用。后来它成为一种惯例被重复使用,比如伍迪·艾伦的《驯服维修工资人员2》(1985)和武内英树的《驯服维修工资人员2》(2018)。《驯服维修工资人员2》中,黑白胶片电影里的美雪公主朝观众所在方向投去迷人的目光,立志成为电影编剧的青年健司看着她,渐渐被其迷住,每天去电影院重复看同一部电影。女主在银幕中经历人们最初的狂热到渐渐不再热衷于黑白电影,电影院门可罗雀,她对健司的重复观影行为和对她的迷恋感到好奇并破镜而出,进入现实现实,并与之交往,但有一条禁令,现实中