3星半 歌舞形式的荧幕化依旧极具试验性，影片最有意思的还是叙事，徘徊于现在、过去以及戏剧3段时间的交差剪辑中，戏中带情，情中有戏，可是文本薄弱，3人的情感也没多大展述，更多还是固化模式的推动，甚至比起《我要去播播》，它不仅过于戏剧化，许多地方也甚显刻意，男主们连对手戏都没有，仿佛平行世界

后知后觉的摇镜——不在意隐蔽的关键人物、激烈的事态发展或是即时的对手反应，正如崭新的布景与过曝的光线，黑泽清从不将情境的真作为诱饵，他更痴迷于“失真”。为什么男人的平静总带有蔑视，女人的平静却总是牺牲？历史的暗潮不因你靠近它而更加汹涌，镜头拂过那些半明半暗的面孔与阳光下的密语，如漫步于博物馆，面对那些早已写定的终局，默读着、留恋着、彷徨着。

古天乐那几巴掌是打导演的，我要去播播无间道导演连破亿都难！跟麦兆辉学学吧，怎么用旧题材拍新意。全片抄得四不像，捉妖记本身就烂还那么多人学。给周冬雨和郭碧婷一星，古仔也是吃老本。万合天宜的中规中矩偶有笑点，最后包烂片学狗跑咬！！

真是个够“励志”的故事。老吉把这个角色演的真好，我要去播播坏事做尽却一脸纯良，用绅士体面掩饰着冷酷无情，没有温度的理性中又透着点滑稽。他从演播室门口，嘴里讲着那些一套一套大道理的同时一步一步逼近Nina的那场戏真的震撼到我了。p.s: 话说看完毒液后超喜欢Ahmed像小鹿一样明亮的大眼睛，越看越有灵气

It's so hard to say goodbye to you all and not to get emotional about this farewell even before the year has properly started. I'd be proud to say that HTTYD is no doubt my favorite animated series that have companied me in my most confused years; I will remember how stunned I was when I saw you guys find each other, and how crazy I was to watch the sequel five times in a row in front of silver screens with 3D glasses on; and how I needed to rush out before the credits ran through today coz the flashbacks would seriously turn on my waterworks. Thank you, and I'll miss you so much.